Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s Related Paintings of Sandro Botticelli :. | Giusto Utens | Primavera | The Adoration of the Kings | St Augustione in his Study (mk36) | Last miracle child revived by the Deacons Eugenius and Crescentius (mk36) | Related Artists: Felix-Auguste ClementFrench, 1826-1888 Casper NetscherDutch Baroque Era Painter, ca.1635-1684 Elmer Edwin RomanzoPortrait, genre and still life painter
b.1850 d.1923
was an American portrait, genre and still life painter. Known for his attention to detail, he was also an inventor of a machine for braiding horsewhips. Spending most of his life in Ashfield, Massachusetts, Elmer is best known for his painting Mourning Picture. This 1890 family portrait depicts the artist, his wife, and their daughter Effie who had died shortly before it was painted. The painting is noted for its intricate detail and the contrast between the mourning family, who sits in relative darkness, and the dead daughter, who is bathed in sunlight. It was first displayed in a local post office in 1890, then disappeared until the 1950's.
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